All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y The Waterseller of Seville (detail) oil on canvas


The Waterseller of Seville (detail)
The Waterseller of Seville (detail)
Painting ID::  38424
  1623 Oil on canvas Wellington Museum, London
  1623 Oil on canvas Wellington Museum, London

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VELAZQUEZ, Diego Rodriguez de Silva y The Supper at Emmaus oil on canvas


The Supper at Emmaus
The Supper at Emmaus
Painting ID::  41344
  mk161 Oil on canvas 48x52
  mk161 Oil on canvas 48x52

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VELAZQUEZ, Diego Rodriguez de Silva y Juan de Pareja oil on canvas


Juan de Pareja
Juan de Pareja
Painting ID::  41345
  mk161 Oil on canvas 32x27
  mk161 Oil on canvas 32x27

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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of the Infanta Margarita oil on canvas


Portrait of the Infanta Margarita
Portrait of the Infanta Margarita
Painting ID::  43634
  c. 1660 Oil on canvas, 121 x 107 cm
  c. 1660 Oil on canvas, 121 x 107 cm

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VELAZQUEZ, Diego Rodriguez de Silva y The Infanta Don Margarita de Austria oil on canvas


The Infanta Don Margarita de Austria
The Infanta Don Margarita de Austria
Painting ID::  43635
  c. 1660 Oil on canvas, 212 x 147 cm
  c. 1660 Oil on canvas, 212 x 147 cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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